● Landscape photography · Lake District

Scafell Pike from Seathwaite: Landscape Photography and the Best View in England?

Seathwaite, Stockley Bridge and a night near the top

Last updated: October 2026

Is this the best view in England? I walked the Scafell Pike from Seathwaite circular with my camera and a full wild camping pack, chasing the light across the highest point in the country, then camped just below the summit.

This is the route, the photo spots along the way, what a polariser really does to water, and the camp. The GPX route and the RAW files are on my Patreon if you want to walk it or edit the shots yourself.

▶ Watch the video on YouTube

Scafell Pike from Seathwaite circular at a glance

Start and finishSeathwaite Farm, Borrowdale
RouteUp: Seathwaite → Stockley Bridge → Sty Head Tarn → Scafell Pike. Down: Esk Hause → Grains Gill → Stockley Bridge → Seathwaite
DistanceAbout 9 miles (15 km) circular
AscentRoughly 970 m
Photo spotsStockley Bridge, the waterfalls and pools above it, the tree above the waterfall, Sty Head Tarn, the summit
Lens and filtersCanon EF 16–35 mm f/2.8L II, Lee 10-stop, Lee 105 mm polariser
My packAbout 25–27 kg with camping and camera kit
DownloadsGPX route, RAW files and more on Patreon

Scafell Pike route map

Here’s the full circuit from Seathwaite, followed by my actual tracks from the watch: the way up via Sty Head, and the way down over Esk Hause and Grains Gill.

Scafell Pike from Seathwaite circular route map via Sty Head Tarn
The full circuit: Seathwaite, Sty Head, Scafell Pike, Esk Hause, Grains Gill.
GPS track of the walk up Scafell Pike from Seathwaite via Sty Head Tarn
My way up, from Seathwaite to my camp below the summit.
GPS track of the walk down from Scafell Pike via Esk Hause and Grains Gill to Seathwaite
My way down, over Esk Hause and Grains Gill.

Download the GPX route on Patreon

Getting my nerve back

After a couple of failed wild camps, it had been ages since I’d been out on a proper one. I’d lost my nerve a bit, and my cardio was terrible. I went out a couple of times with a lad from Facebook and was puffing and panting behind him, which knocked me. Mostly my pride.

So for the last two years I’ve been running. This was the test: a full pack of around 27 kg and the highest mountain in England.

I also had a new lens to try out: the Canon EF 16–35 mm f/2.8L II. It’s wide for the big views, and at f/2.8 it works really nicely in low light, which is ideal for timelapses under clear skies.

Seathwaite and Stockley Bridge

Walk through Seathwaite Farm and you’re immediately hit with the view up the valley. You never get bored of it. The river winds through the valley and under Stockley Bridge, which might be the best bridge in the Lake District to photograph.

I can never walk past it without getting the camera out. I set up the 10-stop for a 20-second exposure to blur the water. I’m a big fan of blurry water in black and white: dip the darks, punch the highlights and get that contrast. I’m more of an editor than a photographer, really. Don’t tell anyone.

Black and white long exposure of Stockley Bridge with the river blurred beneath it
Stockley Bridge, 20 seconds with the 10-stop, finished in black and white.
Colour long exposure of Stockley Bridge and the river in Borrowdale
The same scene in colour.

What a polariser does to water

Above the bridge there are pools and waterfalls everywhere, and this is where the polariser earns its place. It cuts the reflections and the shine off the water so you can see straight into it, to the stones on the bottom and the colour of the water. It’s a difference you just can’t make in Photoshop.

Here’s the same pool with and without it:

Pool below a waterfall above Stockley Bridge with a polariser, showing clear green water and stones beneath
With the polariser: the reflections are gone and you can see into the pool.
The same pool without a polariser, with sky reflected on the water surface
Without it: the sky reflects off the surface and hides what is underneath.

Mine is the Lee 105 mm polariser, and at over £200 it’s a luxury. But if you shoot a lot of water and want those finer details, it’s well worth looking at. See my Lee Filters LEE100 review for the rest of the kit.

The tree above the waterfall

Just above a waterfall there’s a tree I’d shot as a skeleton in midwinter. This time it was in full leaf. It cost me the best part of an hour, which is a lot of time to spend with a tree, but that’s what we’re up here for. When you’re interested in what you’re doing, it’s nice to get carried away.

Black and white long exposure of the tree above the waterfall near Seathwaite in winter
The same tree in winter, as a skeleton above the waterfall.
Black and white long exposure of the waterfall in the gorge above Stockley Bridge
Waterfall and pool in the gorge on the way up to Sty Head

Sty Head Tarn and the climb

Then Sty Head Tarn. I’ve camped here twice, and it’s a beautiful spot. I expected people, but there was nobody about, so I shot a quick timelapse before pushing on.

From there it’s a scramble in places, and with 25 kg or more on your back it’s hard going. But it just gets better and better. It’s a photographer’s dream, and you never have enough time to capture it all. I set off around midday, walked steadily, and by half five I was still stopping for photos.

Moody view across the fells on the climb towards Scafell Pike
Looking back down to a tarn far below on the way up Scafell Pike
Clouds over the high fells of the Scafell range

Last man on Scafell Pike

I reached the summit at quarter to seven. People had been coming down all day, and the last of them had just left. Coming up the back way, from Sty Head, carrying around 25 kg was hell on earth, but it was worth it. Mostly.

Going on a Friday helped. It’s quieter than the weekend, and I pretty much had the place to myself.

One thing I hadn’t planned for: there’s nowhere flat to camp on the summit. It’s boulders. Very scenic, very uncomfortable boulders. After a few pictures I had to crack on and find somewhere lower down before sunset.

Evening light over the fells from near the summit of Scafell Pike

The camp and a sunrise above the cloud

I found a great little flat spot below the summit and got the tent up. It was windy, with the wind sitting broadside on the tent, so I slept on and off and kept going out to re-peg the side.

The morning made up for it. Cloud filled the valley below, the sun came up over the fells and I got a quick sunrise timelapse. With Scafell Pike right behind me, I might have been the highest camper in England that night.

Jetboil brewing a morning coffee beside the tent near Scafell Pike
Morning coffee before packing up.

Then it was pack up and leave no trace.

The way down

I came down a different way, past Great End, over Esk Hause and down Grains Gill, which brings you back to Stockley Bridge. There’s another tree hanging over a waterfall on the way down that would make a great long exposure, especially in black and white. If I did the route the other way round, I’d stop there. It’s endless what you can shoot up here.

View down the valley on the descent from Scafell Pike towards Borrowdale

Watch on YouTube →

Download the route and RAW files

On my Patreon you’ll find:

  • The GPX route for the full circuit, to load onto your phone or GPS watch.
  • RAW files from this shoot, so you can have a go at editing them yourself.
  • Other files to play with.

Tips for Scafell Pike landscape photography

  • Allow far more time than the walk needs. Stockley Bridge alone can take an hour.
  • Pack a polariser and an ND filter. Water is everywhere on this route.
  • Go on a weekday. The summit empties by early evening.
  • Don’t plan to camp on the summit. It’s boulders. Look for flat ground lower down.
  • Peg out for wind. It can sit side-on to the tent all night up here.
  • Leave no trace.

Scafell Pike photography FAQ

What is the best route up Scafell Pike for photography?

I walked from Seathwaite via Stockley Bridge and Sty Head Tarn to the summit, then came down over Esk Hause and Grains Gill. It’s about 9 miles with roughly 970 m of ascent, past rivers, waterfalls, a classic bridge and a tarn.

Do I need a polariser for waterfall photography?

It makes a big difference. A polariser cuts the reflections on the water so you can see into pools and the colour comes through. It’s an effect you can’t recreate in Photoshop.

Can you wild camp on Scafell Pike?

The summit is boulders with nowhere flat to pitch. I found a flat spot lower down.

Is Stockley Bridge good for photography?

Yes. It’s one of the best bridges in the Lake District to photograph. Bring an ND filter for long exposures and a polariser to cut the glare on the water.

Where can I download the Scafell Pike GPX route?

The GPX route and RAW files from this shoot are on my Patreon.

Keep reading

Wild camp at the base of Great GableThe kit I carry
● Tested in the field

See what makes the rucksack

Every tent, sleeping bag, layer and lens I trust, with honest reviews of each.

Planning a Lake District shoot?

Tell me where you’re heading and I’ll tell you what I’d take.

Get in touch →